Puppets far from child's play
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of puppetry in Australia “because larger venues have the courage to stage puppet shows”, Brisbane was enjoying considerable growth with audiences this year having already enjoyed Africa, by Halcyon Macleod, shortlisted for a Helpmann award in 2010.
THESE adults-only puppets are not the typical people in your neighbourhood. After a professional tour that won five Helpmann Awards last year, the musical Avenue Q has been revived by local company MBM Productions. "The music is great, the script is
Meet this year's Fresh Ink mentors « Fresh Ink
The mentors for our program for emerging playwrights have been confirmed and we are delighted to have such a fantastic line-up.
You can meet the young playwrights the mentors will be working with here , while more info on the program, which runs through from the the end of July until February 2012, can be found here .
HILARY BELL writes for stage, radio, screen and music theatre. Plays include Wolf Lullaby (Griffin, Atlantic, Steppenwolf), Fortune , The Falls (Griffin Theatre), The Anatomy Lesson of Doctor Ruysch, Memmie Le Blan c (Vitalstatistix, Deckchair), Open-Cut (WAAPA), The Mysteries: Genesis (Sydney Theatre Company) and The Bloody Bride (NORPA). She has written libretti for musicals ( The Wedding Song , comp. Douglas Stephen Rae), song cycles ( Talk Show, comp. Elena Katz-Chernin), opera ( Mrs. Satan , comp. Victoria Bond) and for Phillip Johnston’s score to Murnau’s silent film Faust , premiered at the New York Film Festival.
Current projects include a musical, Do Good And You Will Be Happy with Phillip Johnston; a screenplay of Alex Miller’s J ourney To The Stone Country ; Beautiful Hands for ABC Radio and plays Perfect Stranger for Yale Repertory Theatre and T he White Divers of Broome for Black Swan State Theatre.
Hilary is a member of the playwrights’ affiliation 7-On , and a recipient of the Philip Parsons Young Playwrights’ Award, Jill Blewitt Playwrights’ Award, Bug’n’Bub Award, Aurealis Award for Fiction, the Eric Kocher Playwrights’ Award, the 2007 Inscription Award and an AWGIE for Music Theatre. She is a graduate of the Juilliard Playwrights’ Studio, NIDA, and the Australian Film, Television and Radio School. She was the 2003-04 Tennessee Williams Fellow in Creative Writing at the University of the South in Tennessee. She is a director on the Griffin Board, and on artistic advisory panels for Griffin and the Production Company, New York.
JANE FITZGERALD is a freelance dramaturg, mentor and tutor. She has worked as Literary Manager and Artistic Associate for Sydney Theatre Company, as well as administrator of the Patrick White Playwrights’ Award. She has worked as dramaturg for STC Blueprints, STC Young Playwrights’ Award, Playworks and ANPC, and on productions including Volpone, The Herbal Bed and A Midsummer Night’s Dream for STC. She has also worked as a script reader for the Royal Court Theatre (London). Current projects include mentoring Year 12 students with creative writing major works. Jane has an MA in Theatre Studies from the University of NSW.
Hand Puppet Helpman Awards - Bookshelf
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